http://www.indiaglitz.com/channels/tamil/musicreview/8870.html
http://tamil.galatta.com/entertainment/livewire/livewire/id/11452/news/AzhagiyaTamilMagan.html
http://www.kollywoodtoday.com/news/azhagiya-tamizh-magan-audio-launched/
http://sify.com/movies/tamil/fullstory.php?id=14547117
http://www.vijaynet.com/mzone/srev.php?subaction=showfull&id=1193072357&archive=&start_from=&ucat=8&
Azhagiya Tamil Magan Music Review
Azhagiya Tamil Magan - Any time music
IndiaGlitz [Tuesday, October 23, 2007]
Among the combinations in Kollywood, Vijay-A R Rahman is rather intriguing as the idioms that define the duo are totally different, and twain looked unlikely to meet. To be sure, Rahman had indeed scored music for a Vijay starrer previously. That was the unsung Udaya, a film that was laid low by many problems. Except the eponymous title track (and was certainly beguilingly brilliant), none of the numbers hardly had anything to redeem or remember. Vijay, in the meanwhile, had become the commercial star and this kind of films demanded ‘a’ kind of music, which if it came from Rahman would be disappointing. Rahman’s musical methods are believed to suit a different canvas.
So before settling down to listen to the Azhagiya Tamil Magan songs, the feeling was rather mixed, and the belief was that something, or rather someone, had to give. But after a single listen, we are happy to report that Rahman has packaged Vijay’s musical needs in a different flavor. But one that doubtless will have the Ilaya Thalapathi’s fans dancing in the aisles with gusto. Rahman’s genius lies here in the fact that he has not compromised his core constituency.
The six numbers, including a remixed one, carry that unique Rahman stamp ---- rhythmic razzmatazz, quaint harmonies and experimental interludes all creating a symphonic sounds cape.
1 Ella Puzhal
The title track in a mass Tamil movie is microcosmic to the overall genre. It has to have elevating lyrics. It has to have simple but catchy beats. It has to set the tempo for the scrip to feed on. But Rahman here bucks the trend. He provides all the necessary rhythms. He has, in a sense, redefined the ‘intro song with a tempo that is reflective without being ponderous. Rahman’s own vocals — in typical nasal high-pitched twang ---- provide a further newness. The beats are not all-out or in-your-face, but carry forward Vaali’s undoubtedly exalting and ennobling ideas in attractive packets of snappy strums and bewitching beats. It is not impossible to imagine what the reaction of Vijay’s countless fans whenever the word ‘thalapathi’ is uttered in the lyric.
2 Pon Magal Vandhal
Rahman, among the music directors, had steadfastly avoided the abhorrence of remixes. The one time he had to attempt that, Rahman did the honorable thing of re-tuning it (Thottal Poo Malarum in New), rather than add some high-octane rhythms to the original and preen to the world as if it is indeed a ‘new original’, so to speak. But here settles for the straight forward remix; the only liberty he takes here is a bizarre rap interlude. Aslam has sung with his all his energy, and Embar’s rap bit also works. But remixes are not Rahman’s.
3) Nee Marilyn Monroe
This is Boys song meeting Anniyan. Both in terms of the musical trope as well in terms of drift of the language. Full of city youth’s Esperanto, the words of Na Muthukumar (almost in bilingual with liberal use of ‘Party’, ‘Saturday night’,’ scanning’) will have the dancing feet tapping incessantly. Benny Dayaland Ujjaini sings with that stylized lilt that such songs are expected to sound. The chorus pattern is interesting and provides a defining staccato feel. The way ‘Nee Marilyn Monroe’ is enunciated is certainly very alluring and provides all the right impact for the song.
4)Valaiyapatti
Imagine a rambunctious Tamil folk madly cohabiting. And now, as if for a lark, throw a bit Carnatic nuggets. What do you get? A song that defies imagination. It takes musical effrontery to conjure such mix n’ match song. Rahman’s brilliance is in pulling this amazing number, on which explanatory words are ineffective. Naresh Iyer, like a stone waller is being asked to play the pinch-hitting role in cricket, has been asked to let his curly hair down and sing with uninhibited effulgence. Naresh does and provides the song the perfect patchwork. The twist into the by-lanes of Carnatic ragas (like Bageshwari, Saraswathi and Neelambari) is sheer genius. Ujjaini and Madhumitha’s voices climb the higher octaves with felicitous zeal while Muthukumar’s lyrics again match the mood. One for the album of mind!
5) Kelammal Kayile
Saindhavi sounds from just the upper part of the throat. It is a style that is fraught with risks. But it works to all our amazement. Pray why? The curious musical arrangement of Rahman and the male vocal of Sriram Parthasarathy, perhaps the most talented and bankable of young singers around. The pattern of the number is difficult to grapple immediately. But as ever, it takes hold of you slowly and before long you are captivated and traveling inside those lovely musical loops that every Rahman experience gives us. Thamarai’s words carry that love emotion quite effortlessly.
6) Maduraikku Pogathadee
Does a mass rhythm song have to be gross and cheesy, and sound soulless? Need not be. Rahman shows how. This is a folksy number that combines the resonance of Goanese beats, but is full of robust energy and rhythms that immediately transports the listeners to, say, rural Madurai. The singers Benny Dayal, Archith and Darsana voice Pa Vijay’s inspired words with an élan and ease that come to those who want to prove a point. The natural drift into the rural symphony is a stroke of musical genius.
And Rahman is certainly one.
Vijay sports a ravishing look in Azhagiya Tamil Magan. 'Ilayathalapathi' is pairing with two top sensations in Kollywood, Namitha and Shriya in the movie. Music for Azhagiya... is by 'Isai Puyal' A.R. Rahman. Rahman, in addition to making all the six songs thoroughly enjoyable, has also worked at glorifying the yesteryear hit, 'Ponmagal Vandaal'. Azhagiya Tamil Magan, a Deepavali release has already begun its smooth ascent to the top.
'Ellapugazhum' is a thematic song. The charming melody, set at a uniformly pleasant tempo, sung by A.R. Rahman with apt lyrics, slides smoothly like honey to produce the desired effect.
The enthusiasm in 'Maduraikku Pogathadee' makes the first impression a strong and good impression. Sung by Benny Dayal, Dharshana and Archith, it sparkles with a freshness along with a novelty due to its occasional western beats.
'Ponmagal Vandaal', a remix, rekindles the same fondness and fascination one experienced while hearing the original. The effect is greatly enhanced by the trendy instrumentation and rap. The song comes in a combination of Ember Rap and Aslam's voices.
'Nee Marilyn Monroe' is sprightly in Benny Dayal and Ujjaiyini's voices with a fine balance in rhythm.
'Valayapatti' has an interesting application of classical music accompanied by a traditional set of instruments. Madhumitha, Naresh Iyer and Ujjayinee take equal credits in the rendition.
'Kelamal Kaiyile' progresses at a pace that attracts listeners. Why? Because of the understated simplicity and gracefulness in it.
Azhagiya Tamizh Magan audio launched
Forever remains A R Rahman in the world of music for his style remains fresh forever. Making stupendous musical score for the film Sivaji, he is yet back again to give away another breathtaking score for the film Vijay starrer Azhagiya Tamizh Magan.
The title song of the film with the lines running Ezlla Pugalum Iraivanukke is sung by A R Rahman himself and it remains us of his previous rendering of voice for ‘Anbe Aaruyire’ from the film Aa.Aaah. The lines of this song are typically are made for Vijay.
Another highlight of this audio would be remix of Ponmagal Vandhal. It’s an excellent score from A R Rahman. Other than these songs, two are of folk beat tempo and rest of western type.
Vijay in general suits for the songs that are of fast beat folk songs and his title songs, but this title song is of different type. But we have to wait and see whether other 2 western sort of songs would suit him for he has never tried before.
How many of us were counting our time towards the release of this much anticipated audio where the two titans of the film industry were coming together after a very long time? Quite confident that many would be a part of this huge list. The audio of the film, which has been released today amidst huge celebrations has been keeping people off their regular routinue work and it certainly merits all the attention that it has been getting so far. Down to the Offical review...
1. Ella Pughazum - AR Rahman
How many times have we swooned to Rahman's voice? Starting from 'Humma Humma', 'Sandosha Kannire', 'Columbus Columbus', 'New York Nagaram', 'Athiradee', and other songs. He just does not cease to amaze us with his music but his singing has been highly under-rated (could be because he might be trying to underplay it). But his singing equally matches his skills as a music composer, and he has truly come out with a blazing number that should set the stands on fire when it hits the screen. Sounding like an intro song for the hero, the song has hard hitting lyrics written by the evergreen Vaali and coupled with Rahman's instruments which have always been world class, this song is the ROCKER that the fans have been craving for!
Verdict: Take some cotton for your ears, with you to the theatres if you dont like heavy noise!
Rating : 10/10
2. Ponmagal Vandhal - MD Aslam, Ember Rap
For Vijay's fans, this will certainly be a new experience listening to a lot of English words in a single song. Being the remix of a super hit old song 'Ponmagal Vandhal' from the movie Sorgam, this song doesnt disappoint and it is very attractive on the ear with the rap and the beats. For the regular Vijay fan, this song might take some time getting used to, but once you are used to it, there is no stopping you raving about this song. A very different approach for a Vijay song.
Verdict: Slow poison
Rating : 8.5/10
3. Nee Marlyn Manroe - Benny Dayal, Ujjayinee
Another song with heavy Western influence from AR Rahman. This song moves at a faster pace and keeps at that pace consistently unlike Rahman's previous Western type song 'Oru Koodai Sunlight' which was fast and slow in places. This song should be a big hit with the discos, DJ's and the night clubs where people hit the dance floors. The male singer stands out throughout the song and the lyrics are sure to make the youngsters sing them out to their never ending pleasure. Trust Rahman to come up with a Western song which will be liked by anyone and everyone
Verdict: All about Style....
Rating : 9.5/10
4. Valayapatti Thavile - Madhumita, Naresh Iyer, Ujjayinee
Time for some classy commercial songs. This is the song that is expected of Vijay from his fans, and Rahman delivers in this song big time despite being well known more for his soothing, romantic and melody numbers. The song, sung by the latest sensation Naresh Iyer really packs a big punch. The song starts off with the female singer Madhumita crooning and then Naresh Iyer takes over. Rahman lifts this song exceedingly well with his instrumentation and beats. A song that is sure to make Vijay fans dance to their heart's content
Verdict: Indha Aatam Podhuma... Innum Konjam Venuma...
Rating : 10/10
5. Kelamaal Kaiyile - Sriram Parthasarathy, Saindhavi
This is Rahman's forte. The melody that makes you feel beautiful. These type of songs also take some time to get used to, but in the long run these are the songs that will remain with the listeners for a long long time. Saindhavi (The Randaka girl) just shows what a promising talent she is to the music industry. Sriram (Suttum Vizhi Sudare) is quite adept but is quite clearly overshadowed by Saindhavi. The song at places reminds us of a hit tune of the 80's but it is to Rahman's brilliance that he keeps that similarity at a very minimum level.
Verdict: Romantic Best...
Rating : 8/10 (Spend time with it, and you will rate it 10/10)
6. Maduraikki Pogadhadee - Benny, Archith, Dharshana
Another folk type song to round up the album! Certainly lovers of commercial music have heard of a lot of folk type songs, but this song is of very high quality which only Rahman could possibly give. This is the type of song that Vijay lives on, and with the picturisation this song has all the possibilities to become a big hit with the fans especially the children. The singer Benny Dayal is a good find (heard he had sung in Sivaji too!) while the other singers give good suppport.
Verdict: Children's delight
Rating : 8/10
Overall Verdict: 100% super duper hit for Vijay and his fans. One of Rahman's best commercial albums in his illustrous career. The songs should reach an entirely different level if the picturisation live up to the expectations. A strong candidate for 'The Album of the Year'
Disclaimer: Ratings are given based on what a fan would rate as far as the album goes. The review is based on the opinion of a single fan, and might not necessarily reflect the overall opinion of Vijay's fans.
VFN Exclusive
ATM songs rock!
By Moviebuzz | Monday, 22 October , 2007, 16:15
At last Vijay's Azhagiya Tamizh Magan (ATM) audio was released today (October 22), through all music shops in India. The Indian audio rights holder Star Music expects 25000 CD's of the film to sell in the next three days.
Initial reports suggest that Vaali written Ellapughazum sung by AR Rahman himself has been pumping the adrenalin of Vijay's fans and is said to be the introductory song of the star. The glamorous song on screen is going to be Marlyn Monroe , which has full of English words and is peppy. The remix song Ponmagal Vandhal is also a scream!
On the whole, the reaction from Vijay fans is that the album rocks, and Rahman-Vijay combination will be a chartbuster, especially after the songs are telecast on the channels after the release of the film.
According to a spokesperson of Star Music: "ATM audio released in to the market today morning has opened very well. All stores in Chennai are reporting brisk sales."
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